Brand new – released on Jan
2nd, 2010!
“In Russian tradition, when it comes to playing gusli, men have always been
considered superior. Olga however proves that to be wrong, showing with her
virtuosity that women can be equally as good.” (Moscow Gate)
| 1 |
Antuan Lemuan |
Etude No 17 Op 37 |
1:44 |
| 2 |
Alexander Shirokov |
Variations on a Russian Theme |
2:19 |
| 3 |
Nikolai Rimsky-Korsakov |
On the Hills of Georgia |
2:06 |
| 4 |
Ludwig van Beethoven |
Variations on a Russian dance from Wranitzky’s Das
Waldmädchen |
13:06 |
| 5 |
Anatoly Liadov |
Music box Op 32 |
1:59 |
| |
Alexander Kiskachi |
Little Suite for flute and gusli |
|
| 6 |
|
Prelude |
3:44 |
| 7 |
|
Scherzo |
3:10 |
| 8 |
|
Pastoral |
2:00 |
| 9 |
|
The Toy |
0:39 |
| 10 |
Viktor Panin |
Scherzo |
3:45 |
| |
Sergei Oskolkov |
Suite for gusli and piano |
|
| 11 |
|
Andante |
2:03 |
| 12 |
|
Allegro |
2:58 |
| 13 |
|
Moderato |
4:27 |
| 14 |
|
Allegretto |
3:41 |
| 15 |
Alexey Larin |
Legend |
4:31 |
| 16 |
Ivan Khandoshkin |
Variations on a Russian Theme Along the Bridge, this Bridge |
9:27 |
| 17 |
Russian folk song |
Farewell, My Joy |
4:01 |
| 18 |
Nikolai Rimsky-Korsakov |
Dance of the Tumblers from The Snow Maiden |
2:37 |
Download: #2, A Shirokov, Variations on a Russian Theme, fragm, 95 sec,
mp3, 1492 KB
Download: #10, P Panin. Scherzo, fragm, 3 min
35 sec,
mp3, 3361 KB
Download: #16,
I Khandoshkin. Variations on a Russian Theme, fragm, 2 min 8 sec,
mp3, 2 MB
Olga Shishkina, gusli (#1–18)
Nikolay Mazhara, piano (#3, 4, 11–14, 18)
– the winner of the 4th International Prokofiev competition, the
soloist of the St Petersburg Symphony Orchestra of the St Petersburg State
Philharmonic named after Shostakovich, lecturer at St Petersburg State
Rimsky-Korsakov Conservatoire
Alexander Kiskachi, flute (#6–9)
– renowned Russian flutist whose main interest lies in the area of
Baroque music, lecturer at St Petersburg State Rimsky-Korsakov Conservatoire
and St Petersburg State University
Michael Troyan, baritone (#5, 17) –
soloist of the St Petersburg Chamber Opera Company
Emil Yakovlev, violin (#16) – soloist of
the Remolino Ensemble
Arrangements for gusli by Olga Shishkina (#1, 3, 4, 16, 17)
Recorded at St Petersburg Rimsky-Korsakov Conservatoire and St Petersburg
Chamber Opera Company in 2004
Recording and mastering: Troyanna
Graphic design: Antti Tiainen
Photos: Hannu Koistinen
Co-produced by Peeter Vähi
© Olga Shishkina, Koistinen Kantele
n©b
2010
ERP 3310
Manufactured by Baltic Disc
Olga
Shishkina (b 1985 in Leningrad) is a prominent internationally active
gusli artist. She studied gusli at St Petersburg State
Rimsky-Korsakov Conservatoire, in the meantime doing secondary studies in
piano, organ and orchestral conducting. In 2008 she graduated from there
with the highest honors diploma. In the same year she started her Master’s
degree studies in Finnish concert-kantele at Sibelius Academy. Since
2008 Olga has been living and working in Helsinki. At the age of 16 she was
awarded 2nd prize at the prestigious 6th All-Russian Competition for
professional folk instruments artists (2001, Tver) becoming the youngest
prize-winner in the competition’s history. Olga is also the laureate of the
International Andreev Competition for young folk instruments players (1996,
1998, 2000, St Petersburg). During her musical career she has been awarded
many grants, for example, the special grant from the Russian Ministry of
Culture and the scholarship from the New Names Foundation directed by
Vladimir Spivakov. In 2001 she was awarded the title Hope of Russia
and also got the award from The Worldwide Club of Petersburgers. Apart from
performing in Finland and Russia, Olga has given concerts as a soloist and a
chamber musician in the USA, the UK, Sweden, Belgium, Estonia, Latvia and
Lithuania. She has been playing with the most prestigious Russian folk
instruments orchestras such as, for example, Osipov National Academic
Orchestra, The State Russian Orchestra of St Petersburg and Smolensk Russian
Folk Orchestra. Olga is also the first gusli artist who started to
use gusli actively as a solo instrument with a symphony orchestra.
She has played with Lithuanian National Symphony Orchestra, St Petersburg
Cappella Symphony Orchestra and others. Olga participated in Mariinsky
Theatre settings, having played a gusli part in the Rimsky-Korsakov’s
opera The Legend of the Invisible City of Kitezh and the Maiden Fevronia
(conducted by Valery Gergiev). In autumn 2008 she appeared in Finnish
première of Rodion Shchedrin’s opera Enchanted Wanderer with Helsinki
Philharmonic Orchestra (conducted by John Storgårds) where she played
chromatic gusli. Olga has written a numerous amount of arrangements
and transcriptions for gusli with different instrumental combinations
where her main goal was to expand the potential of this instrument, bringing
it to the new level of virtuosity and expressivity. She invented many new
playing techniques for gusli and explored it’s rich timbral
opportunities. Being an important part of her repertoire, Olga’s
arrangements are still otherwise rarely played by other musicians because of
their demanding nature.
Gusli
is the oldest Russian string instrument which origins dates back to the 11th
century. It may have derived from ancient Egyptian and later Greek lyres
and kytharas. Instruments related to gusli can be found in
many countries around the world – there is
kantele in Finland, kannel in Estonia, kanklės and
kokle in Lithuania and Latvia, autoharp in the USA... It’s Asian
relatives are Chinese gǔzhēng and Japanese koto. All these
instruments are important national symbols but altogether they represent our
common global musical heritage. The instrument that you can hear on this CD
is a 15 string wing-shaped gusli which is one of the three existing
types of the instrument – the other ones are helmet-shaped and chromatic
gusli. This model was developed in the beginning of the 20th century by
O. Smolenski and N. Privalov who wanted to create a true concert instrument
suitable for the acoustics of a big hall. The construction of gusli
was changed, and the tension of the strings became much thicker enabling to
produce loud sound resembling the bells. Personally, I feel gusli as
a very powerful and at the same time sensitive instrument that can express
all the richness of human emotions. Even though it has a diatonic scale, the
amount of sound colours and technical opportunities is so vast that for me
there are no longer any limitations! My goal has always been to make
gusli a well-known instrument and I believe it will find more and more
fans around the world in the next years. I hope you will enjoy the
experience of gusli music as much as I do!
Olga Shishkina
More info:
www.youtube.com/olgagusli,
www.myspace.com/olga.shishkina
General distribution:
www.koistinenkantele.com
Distribution in Estonia:
Easy-Living Music, reispuk@neti.ee
© ERP All rights reserved. Texts and photos from this website can be used without special permission for non-commercial purposes only. Reference to the author and source (www.erpmusic.com) is obligatory.
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