Mbalax-music from Senegal, Western Africa... in Wolof language... with sabar-drums... Ensemble “Galaxy”: Cheikh “Pape” Sarr (bass, sabar-drums), Yamar Thiam (talking drum tama), Alassane Diallo, Rane Diallo (voc), Libasse Sall (sabar-drums, guit, voc), Ousseynou Mb’Aye (sabar-drums, voc), Ismaila Sane Badiane (sabar- & djembe-drums, voc), Bintou Sarjo (dance), Ampiaba Jalava, Ndioba Gueye, Aliko Edson Mwakanjuki
Mbalax or mbalakh is the national popular dance music of
Senegal and the Gambia. Mbalax is a fusion of popular Western
music and dance sabar, the traditional drumming and dance music
of Senegal. The genre’s name derived from the heavy use of accompanying
rhythms used in sabar called mbalax. Mbalax developed in Senegal in the late 1960s and early 1970s.
Influenced by the “back to roots” philosophy of Negritude and the
receding influence of colonialism, artists began to mix these sounds
with traditional Senegalese music and forge new sounds incorporating
their new national identity. Musicians began singing in Wolof (Senegal’s
lingua franca) instead of French and English, and incorporated rhythms
of the indigenous sabar-drum. Dancers began using moves
associated with the sabar, and tipping the singers as if they
were traditional griots. However, it’s sabar rhythms and Islamic
influenced vocals continue to make mbalax one of the most
distinctive forms of dance music in Western Africa and the diaspora.
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