| Chamber music
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Vaikivad meeleolud / Silent Moods (1930) |
|
| 1 |
Lento, con moto |
1:52 |
| 2 |
Lento assai |
2:03 |
| 3 |
Andante |
2:32 |
| |
Sugestioonid / Suggestions
(1929–31)
|
|
| 4 |
Yearning / Le Désir |
3:07 |
| 5 |
Sighs / Les soupirs |
1:42 |
| 6 |
Melancholy / Mélancholie |
2:14 |
| 7 |
Shadows Of Hades. Death / Les Ombres de Toonela.
La mort |
1:54 |
| |
Aeliita süit / Aelita’s Suite
(1932)
|
|
| 8 |
Iidne laul /Ancient Song |
3:43 |
| 9 |
Magri haud / Magri’s Grave |
2:24 |
| 10 |
Magatsitlite tants / Magatsitles’
Dance |
3:09 |
| |
Ajatriloogia / Trilogy Of Time
(1934)
|
|
| 11 |
Elu / Life |
2:24 |
| 12 |
Igavik / Eternity |
2:38 |
| 13 |
Tänapäev / The Present-Day |
1:11 |
| |
Kolm soololaulu / Three Songs |
|
| 14 |
Ööpoeem / Night Poem (1933, lyrics by Anna Haava) |
3:14
|
| 15 |
Ei näe enam / I Can’t See Anymore (1933, lyrics Juhan Liiv) |
4:37 |
| 16 |
Sügisemaru / Autumn Storm (1934,
lyrics by Marie Under) |
2:16 |
| 17 |
Talveöine / In The Winter Night (1930, lyrics by Jaan Kärner)
|
5:27 |
| 18 |
Klaverikvintett / Piano Quintet
(1935) |
17:23 |
Download:
Eduard Oja. Silent Moods. Lento, con moto, 107 sec, mp3, 1640 KB
Download:
Eduard Oja. Trilogy Of Time. Eternity, 150 sec, mp3, 2290 KB
Performed by: Vardo Rumessen (piano), Teet
Järvi (cello), Urmas Vulp (violin), Ivo Kuusk (tenor), Maaja Rumessen
(soprano), Tallinn String Quartet
Recorded in Estonia Concert Hall, St Mauritius Merchant Guild, Estonian
Composers’ Union, and Estonian Radio, 1984–2006
Engineered by Maido Maadik,
Priit Kuulberg, Mati Brauer, Aili Jõeleht, and
Enn Tomson
Mastered by Maido Maadik
Total time 64:38
2008 Estonian Classics
EC 001
Eduard
Oja
Eduard Oja was born on Jan 17th, 1905 in Palupõhja, in the
rural municipality of Vana-Põltsamaa in Viljandi county. The son of a forest
warden, he studied at Tartu Teachers College from 1919–24, after which he
was employed as a schoolteacher of Tamsa primary school (1924–25) followed
by an position as a teacher in the town of Elva (1925–30). He began studying
music independently, and continued his studies in the violin at the Tartu
Teachers College and the Tartu Higher School of Music. He and Eduard Tubin, another well-known Estonian composer, were enrolled concurrently at the
Tartu Teachers Seminar. Tubin helped Oja prepare for entrance to the Tartu
Higher School of Music, where Oja studied composition under Heino
Eller from
1927–32.
At the Teachers College, Oja entered musical life as concertmaster of the
school’s string orchestra and a violin soloist. Here he made his first
forays into composition. Later he served as choral director and music
teacher in Pangodi, Elva and Tartu. From 1935–41, he taught music theory at
the Tartu Higher School of Music. He also conducted the school’s student
orchestra. Oja was simultaneously musical director for the Tartu Drama
Theatre Studio and from 1934–38, he was music critic for the daily newspaper
Postimees, contributing numerous articles. In Tartu, Oja served as
choral conductor, leading the Tartu Women’s Singing Society’s Women’s Choir
from 1930–34.
Eduard Oja’s work as a composer is noteworthy for its rich imaginative power,
variegated tone colour and invention. His most notable works (“Poem Of Beauty”, “Song
Of The Sea”, the Piano Quintet, solo songs) display the
composer’s extraordinary musical talent and singular expressive style,
frequently featuring tragic motifs of great poignancy. Unfortunately, his
extraordinary musical talent would never be fully consummated, although he
did compose a number of works that according to Eduard Tubin placed him
squarely “in the circle of geniuses”.
The central work in Oja’s oeuvre is the opera Oath Redeemed
(“Lunastatud vanne”), which captured first place at a competition of works
for the stage organized by the Estonia Theatre in 1940. Unfortunately the
composer destroyed the score after many revisions. Also occupying an
important spot in Oja’s creative work is a cantata for mens’ choir, solo
voice and orchestra The Return Home (“Kojuminek”) on the lyrics by
Marie Under. The 1943 and 1944 performances of the cantata were greatly
acclaimed. As with the opera, unfortunately, the score for this work, too,
is not extant, destroyed in the fire at the Estonia Theatre in 1944
following the aerial bombing of Soviet troops.
Oja was far from prolific as a composer. His most significant work consists
of symphonic short forms and chamber music, along with songs for solo voice
and choir.
Vardo Rumessen
Vardo Rumessen (b 1942) graduated from Prof Bruno Lukk and Eugen Kelder’s piano class at Estonian Academy of Music in 1971. Today he is one of the best known performers and promoters of Estonian piano music. Rumessen, who has frequently performed abroad – in Sweden, Norway, Iceland, Canada, the USA, Turkey, Australia, and Russia.
Vardo Rumessen has recorded most of piano and chamber music by Rudolf Tobias,
Mart Saar, Heino Eller, Eduard Oja and Eduard Tubin. He is recognized as a master performer of Eduard Tubin’s piano music. Rumessen was a personal friend of Tubin and had the opportunity to discuss the composer’s intentions in depth. Eduard Tubin has to a high degree authorized Vardo Rumessen’s interpretations of his music. Rumessen performed the American première of Tubin’s Piano Concertino in 1993 with the Longview Symphony Orchestra. Also, Rumessen is the founder and artistic director of the festival “Eduard Tubin ja tema aeg” (‘Eduard Tubin And His Time’) organized by Eesti Kontsert, the National Concert Institute of Estonia since 2001. He is also the chairman of the board of International Eduard Tubin Society.
Rumessen has performed works by Beethoven, Franck, Tobias and Tubin for piano and orchestra with the Estonian and Göteborg
symphony orchestras, conducted by the late Peeter Lilje and Neeme Järvi. He has also performed frequently in ensemble with numerous singers, violinists, cellists, string quartets and other musicians.
Although Rumessen has achieved his success mainly as a performer of Estonian classical music, he has performed a lot of music from other parts of the world. His largest undertakings have been such as the complete Bach’s “Well-Tempered Clavier I”, Scriabin’s 10 sonatas, Chopin’s 27 etudes, Rachmaninoff’s 15 etudes-tableaux, etc.
Rumessen is not only the foremost performer of Estonian piano music but also a musicologist with a vast knowledge of Estonian music. He has published a lot of Estonian music, by R Tobias, M Saar, E Oja and H Eller, which have naturally found a place in Rumessen’s repertoire as both soloist and ensemble player. Among other works he restored and published R Tobias’ oratorio “Jonah’s Mission”. In addition, Rumessen has written many articles and has served as an editor of several books about Rudolf Tobias,
Mart Saar, Artur Kapp, Eduard Oja,
Eduard Tubin and others.
Recordings of Vardo Rumessen on ERP:
Northern Lights Sonata, Estonian Preludes,
Eduard Tubin And His Time,
Koidust Kodumaise viisini
Other performers
Teet Järvi is a graduate
of the Tallinn Secondary School of Music, where he studied under Laine
Leichter, followed by the Estonian Academy of Music, as a student of Prof
Peeter Paemurru. He went on to study in Moscow with Natalia Shakhovskaya,
Mikhail Homitser and Ivan Monighetti. In 1974, Järvi won 1st prize in a
young cellists competition in Czechoslovakia. He also won the national
(1981) and Baltic (1976) competitions. From 1982–90 Järvi was concertmaster
for the cello section of the Estonian National Symphony Orchestra. He has
often performed as a soloist with orchestra, played as a member of the
Tallinn String Quartet and the Baltic Trio in many European countries and
the USA, and performed as a solo cellist. Since 1993 Järvi has been employed
in Finland, where he performs with the Lahti Symphony Orchestra and the
string quartet FinEst, and teaches cello at the Lahti Higher School of Music.
Urmas Vulp graduated from the Tallinn Secondary
School of Music in 1972, where he studied piano under Ivi Tivik. In 1978 he
graduated from the Estonian Academy of Music as a violinist studying with
Prof Vladimir Alumäe. He studied under Prof Yevgenia Tschugayeva at the
Moscow Conservatory, which he graduated in 1981. That same year, Vulp won
2nd prize at a national strings competition. Since 1981, Urmas Vulp has been
violin teacher at the Estonian Academy of Music. His initiative led to the
founding, in 1984, of the Tallinn String Quartet, in which he plays first
violin. He has performed, both with quartets and as a soloist in many
countries.
The Tallinn String Quartet was founded on the
initiative of Urmas Vulp in 1984. Along with performances abroad, the
quartet has performed numerous concerts in venues around Estonia and taken
part in local music festivals. In the 1996–97 season, the quartet played a
5-part series entitled devoted to the 250th anniversary of the string
quartets, providing a cross-section of the genre through different eras. The
Tallinn String Quartet’s extensive repertoire places a special emphasis on
Estonian composers. The quartet has recorded 4 CDs, including 2 ones for the
Swedish label BIS; their Tobias string quartets recording has won
international acclaim.
Maaja Rumessen (soprano) is a
1972 graduate of the Estonian Academy of Music, where she studied under
Linda Saul. She has sung in the
Estonian National Opera’s opera choir since
1972 and has appeared as a soloist. As a chamber singer, she has performed
programmes featuring solo songs by many Estonian (Saar, Tubin, Oja) and
Latvian composers (Kalninš, Zalitis).
Ivo Kuusk graduated from the Estonian Academy of
Music in 1967 and went on to study at the Gnessin State Musical College in
Moscow. Since 1978, he was a featured soloist of the
Estonian National Opera.
He has also been a chamber and oratorio singer. Since 1979, he has taught at
the Estonian Academy of Music. His repertoire includes over 80 opera and
operetta roles. He has performed with the “Estonia” Theatre in Finland, Sweden,
Norway, Denmark, Germany, France, and Russia, among other countries.
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