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Records available

Super Audio CD La donna è mobile. Verdi. Luc Robert

DVD In the Mystical Land of Kaydara. Peeter Vähi

CD Great Maestros V. Kalle Randalu, Neeme Järvi, Estonian National Symphony Orchestra

Double CD Great Maestros VI. Kalle Randalu, Neeme Järvi, Estonian National Symphony Orchestra 

Double CD Verdi Wagner 200. Estonian National Opera Chorus and Orchestra

DVD Coppélia. A ballet by Léo Delibes

CD Works for Violin and Piano. Vol 1 Eduard Tubin

DVD Keyboard Juggleress. Irina Zahharenkova

CD Legend. Arsis

Magic of Sound (Ralf Taal)

Super Audio CD Maria Magdalena. Sevara Nazarkhan, Riga Dom Cathedral Boys Choir, State Choir Latvija, Latvian National Symphony Orchestra

DVD Joy and Sorrow Unmasked. European Union Baroque Orchestra, Lars Ulrik Mortensen

CD Locus amoenus. René Eespere

CD The Best of Arsis Bells. Arsis, Estonian National Symphony Orchestra, Estonian National Male Choir, Aivar Mäe

DVD Faust. Ain Anger, Estonian National Opera

DVD Modigliani − the Cursed Artist. Estonian National Ballet, Risto Joost

swerengoma

Attractive, full of ancient power, unique listening and watching, incredible acrobatic choreography, Southern African rhythms and drumming


Shona is the name collectively given to two groups of Bantu people in the east and southeast of Zimbabwe, and southern Mozambique. They are the largest ethno linguistic group in Zimbabwe, Southern Africa.

The Mbende / Jerusarema Dance is a popular dance style practiced by the Zezuru Shona people living in the Murewa and Uzumba-Maramba-Pfungwe districts in eastern Zimbabwe.


The dance is characterized by sensual and acrobatic movements by women in unison with men, driven by a single polyrhythmic drummer accompanied by men playing woodblock clappers and by women handclapping, yodelling and blowing whistles. Unlike other drum-based East African dance styles, the Mbende / Jerusarema does not rely on intricate foot stamping or many drummers. Instead, the music is performed by one master drummer, and no songs or lyrics are involved. A rich material culture, including drums, clappers, whistles and costumes, is associated with the dance.
In the course of the dance, men often crouch while jerking both arms and vigorously kicking the ground with the right leg in imitation of a burrowing mole. The dance’s curious name reveals much about its vicissitudes over the centuries. Before colonial rule, this ancient fertility dance was called Mbende, the Shona word for “mole”, which was regarded as a symbol of fertility, sexuality and family.
Under the influence of strict Christian missionaries who strongly disapproved on this sexually explicit dance, the dance’s name was changed to Jerusarema, deriving from the Shona adaptation of the name of the biblical city of Jerusalem, in an effort to transform the original connotation into a religious one. Both names are commonly used today. In spite of its condemnation by the missionaries, the dance remained popular and became a source of pride and identity in the struggle against colonial rule.

player Live recording from Orient 2015, fragm, 2 min 40 sec, mp3, 320 Kbps
player Another video-clip of Swerengoma Dance Group on YouTube (low quality)

Press resonance

http://bakwamagazine.com/2015/06/11/africa-at-orient-music-festival-2015/

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