Actual:

LogoGlasperlenspielSinfonie

KultuuariNaoRaamat

Klassikaraadio

Records available:

Verdi Wagner 200 (Estonian National Opera, Risto Joost)

Arvo Pärt. Pilgrim’s Song (Voces Musicales, Tallinn Sinfonietta, Risto Joost)

Keyboard Juggleress (Irina Zahharenkova, DVD)

Ad patrem meum (Anna-Liisa Bezrodny, DVD)

Maria Magdalena (Sevara Nazarkhan, State Choir Latvija, Latvian National Symphony Orchestra)

ImagetextCON BRILLIO

Olga Shishkina, gusli

Brand new – released on Jan 2nd, 2010! “In Russian tradition, when it comes to playing gusli, men have always been considered superior. Olga however proves that to be wrong, showing with her virtuosity  that women can be equally as good.” (Moscow Gate)

1 Antuan Lemuan Etude No 17 Op 37 1:44
2 Alexander Shirokov Variations on a Russian Theme 2:19
3 Nikolai Rimsky-Korsakov On the Hills of Georgia 2:06
4 Ludwig van Beethoven Variations on a Russian dance from Wranitzky’s Das Waldmädchen 13:06
5 Anatoly Liadov Music box Op 32 1:59
Alexander Kiskachi Little Suite for flute and gusli
6 Prelude 3:44
7 Scherzo 3:10
8 Pastoral 2:00
9 The Toy 0:39
10 Viktor Panin Scherzo 3:45
Sergei Oskolkov Suite for gusli and piano
11 Andante  2:03
12 Allegro 2:58
13 Moderato  4:27
14 Allegretto  3:41
15 Alexey Larin Legend  4:31
16 Ivan Khandoshkin Variations on a Russian Theme Along the Bridge, this Bridge 9:27
17 Russian folk song Farewell, My Joy 4:01
18 Nikolai Rimsky-Korsakov Dance of the Tumblers from The Snow Maiden 2:37

player #2, A Shirokov, Variations on a Russian Theme, fragm, 95 sec, mp3
player #10, P Panin. Scherzo, fragm, 3 min 35 sec, mp3
player #16, I Khandoshkin. Variations on a Russian Theme, fragm, 2 min 8 sec, mp3

Olga Shishkina, gusli (#1–18)
Nikolay Mazhara, piano (#3, 4, 11–14, 18) – the winner of the 4th International Prokofiev competition, the soloist of the St Petersburg Symphony Orchestra of the St Petersburg State Philharmonic named after Shostakovich, lecturer at St Petersburg State Rimsky-Korsakov Conservatoire
Alexander Kiskachi, flute (#6–9) – renowned Russian flutist whose main interest lies in the area of Baroque music, lecturer at St Petersburg State Rimsky-Korsakov Conservatoire and St Petersburg State University
Michael Troyan, baritone (#5, 17) – soloist of the St Petersburg Chamber Opera Company
Emil Yakovlev, violin (#16) – soloist of the Remolino Ensemble

Arrangements for gusli by Olga Shishkina (#1, 3, 4, 16, 17)
Recorded at St Petersburg Rimsky-Korsakov Conservatoire and St Petersburg Chamber Opera Company in 2004
Recording and mastering: Troyanna
Graphic design: Antti Tiainen
Photos: Hannu Koistinen
Co-produced by Peeter Vähi

© Olga Shishkina, Koistinen Kantele
n©b
2010
ERP 3310
Manufactured by Baltic Disc

ImagetextOlga Shishkina (b 1985 in Leningrad) is a prominent internationally active gusli artist. She studied gusli at St Petersburg State Rimsky-Korsakov Conservatoire, in the meantime doing secondary studies in piano, organ and orchestral conducting. In 2008 she graduated from there with the highest honors diploma. In the same year she started her Master’s degree studies in Finnish concert-kantele at Sibelius Academy. Since 2008 Olga has been living and working in Helsinki. At the age of 16 she was awarded 2nd prize at the prestigious 6th All-Russian Competition for professional folk instruments artists (2001, Tver) becoming the youngest prize-winner in the competition’s history. Olga is also the laureate of the International Andreev Competition for young folk instruments players (1996, 1998, 2000, St Petersburg). During her musical career she has been awarded many grants, for example, the special grant from the Russian Ministry of Culture and the scholarship from the New Names Foundation directed by Vladimir Spivakov. In 2001 she was awarded the title Hope of Russia and also got the award from The Worldwide Club of Petersburgers. Apart from performing in Finland and Russia, Olga has given concerts as a soloist and a chamber musician in the USA, the UK, Sweden, Belgium, Estonia, Latvia and Lithuania. She has been playing with the most prestigious Russian folk instruments orchestras such as, for example, Osipov National Academic Orchestra, The State Russian Orchestra of St Petersburg and Smolensk Russian Folk Orchestra. Olga is also the first gusli artist who started to use gusli actively as a solo instrument with a symphony orchestra. She has played with Lithuanian National Symphony Orchestra, St Petersburg Cappella Symphony Orchestra and others. Olga participated in Mariinsky Theatre settings, having played a gusli part in the Rimsky-Korsakov’s opera The Legend of the Invisible City of Kitezh and the Maiden Fevronia (conducted by Valery Gergiev). In autumn 2008 she appeared in Finnish première of Rodion Shchedrin’s opera Enchanted Wanderer with Helsinki Philharmonic Orchestra (conducted by John Storgårds) where she played chromatic gusli. Olga has written a numerous amount of arrangements and transcriptions for gusli with different instrumental combinations where her main goal was to expand the potential of this instrument, bringing it to the new level of virtuosity and expressivity. She invented many new playing techniques for gusli and explored it’s rich timbral opportunities. Being an important part of her repertoire, Olga’s arrangements are still otherwise rarely played by other musicians because of their demanding nature.
 

ImagetextGusli is the oldest Russian string instrument which origins dates back to the 11th century. It may have derived from ancient Egyptian and later Greek lyres and kytharas. Instruments related to gusli can be found in many countries around the world – there is kantele in Finland, kannel in Estonia, kanklės and kokle in Lithuania and Latvia, autoharp in the USA... It’s Asian relatives are Chinese gǔzhēng and Japanese koto. All these instruments are important national symbols but altogether they represent our common global musical heritage. The instrument that you can hear on this CD is a 15 string wing-shaped gusli which is one of the three existing types of the instrument – the other ones are helmet-shaped and chromatic gusli. This model was developed in the beginning of the 20th century by O. Smolenski and N. Privalov who wanted to create a true concert instrument suitable for the acoustics of a big hall. The construction of gusli was changed, and the tension of the strings became much thicker enabling to produce loud sound resembling the bells. Personally, I feel gusli as a very powerful and at the same time sensitive instrument that can express all the richness of human emotions. Even though it has a diatonic scale, the amount of sound colours and technical opportunities is so vast that for me there are no longer any limitations! My goal has always been to make gusli a well-known instrument and I believe it will find more and more fans around the world in the next years. I hope you will enjoy the experience of gusli music as much as I do!

Olga Shishkina


More info: player www.youtube.com/olgagusli, www.myspace.com/olga.shishkina
General distribution: www.koistinenkantele.com
Distribution in Estonia: Easy-Living Music, This email address is being protected from spambots. You need JavaScript enabled to view it.